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michael clark christies catalogue text home beautiful dreamer: perhaps eye sleep and dream u every man and every woman is a star drawing breath (selected coverage and media response) 10:07-09 wounds al-jebr (portrait of nicolas roeg) seer (portrait of derek jarman) the gardener (portrait of derek jarman) geometry of healing drawing blood colony room club images public collections the collection of the late miss valerie beston artists from the london school - 8 and 10 february 2006 - christie's michael clark first walked into colony room off the street in 1977 (and promptly found himself back on it). this initial encounter with the notorious club, with its owner muriel belcher and of course with bacon, introduced clark to a world in which he would thrive, and which he would poignantly capture in his penetrating pictures over the coming years. despite being thrown out, clark became a friend of belcher who affectionately credited him as a cheeky **** for his brazen first attempt at entry there - and of her business partner ian board, as well as bacon. indeed, it was through the encouragement of bacon, belcher and board that clark took up painting again, having earlier abandoned it. it was also through bacon and belcher that he was introduced to valerie beston, with whom clark had the almost unheard-of honour of being on first-name terms. very early on, she told him, you have the gift, and i am going to support you, and began buying his pictures, including the first one he ever sold. this was her direct means of supporting artists, one that had helped other prestigious people such as auerbach in its time. she also welcomed clark often in the malborough gallery, showing him bacons works, giving him tea as well as personal advice. once she even called him into the gallery and presented him with a great surprise - the chance to view and to hold one of his favourite czanne paintings, an opportunity she had extended only to the real painters himself, bacon, auerbach, freud. it was miss beston, in turn, who suggested that clark make a portrait of bacon, a proposition that both artists found fantastic. she told clark to call bacon, and they arranged for a first sitting that sparked off a series of pictures from which bacons gaunt and time-worn face stares. at the first sitting clark arrived, as requested, early in the morning and was ushered by the artist into the house. bacon, ever the consummate host, immediately offered clark something to drink, but the catalogue of spirits, rather than hot drinks, that was reeled off stumped the younger, bleary-eyed artist, who compromised - as he thought - by asking for a beer. his considerate host then disappeared not to the kitchen but to an off-license, beer clearly not one of his stable supplies. over the subsequent years, working from numerous sittings and photographs, clarks meticulous draughtsmanship captures the appearance but also the soul of the older tormented artist. it is a credit to his uncanny ability to record bacon that several of these drawings were collected by the dedicated and discerning miss beston, as well as the british museum. clark is a self-confessed bacon fanatic, one who had the added benefit of being his friend and portraitist. bacons influence threads through his works, reappearing even in his conceptual pieces. be it in the appearance of wounds in his paintings, or in the location of a sound sculpture outside a sex shop that bacon used to frequent (only in part to cash his cheques), his ghostly spectre appears again and again, if only obliquely, in his figurative and conceptual works. for clark is not a portraitist, although he has created many portraits of people ranging from film directors to the characters of soho of yesteryear to royalty to pop royalty. he is a conceptual artist, for whom the painstakingly accurate depiction of the human face is only one of his means or media, and conversation with him ranges from the diverse influences of rimbaud and nauman as well as holbein and rembrandt. death seems to have followed clark, informing some of his greatest and most poignant works. be it is his grisaille portrait of derek jarman, in the dispersed wounds of christ in chichester cathedral, or in the haunting images of belcher, death appears to have already cast its shadow. even the pictures of bacon, executed before any illness, show vulnerable eyes contained within the hanging skin, the texture of these pictures is of a hallucinatory richness, the face is the sole and compelling focus of clarks piercing gaze, and yet the skin appears all the more vulnerable. it is brittle and crumpled, hinting at its fragility as a package for a human life. nowhere is this more true than in the images of the gaunt, drained muriel belcher, whom clark helped during her lingering final illness. clark says that these pictures were executed when he was young, when death was an alien concept and seemed a long way away something that happened to other, older people. and yet he has constantly shown a fascination with it, his pictures existential examinations of the body, of life, of its fragility-in short, of the human condition that drove bacons own works. it is therefore not surprising to hear clark quote bacon, in turn quoting cocteau: we look at death at work every day in the mirror. the collection of the late miss valerie beston artists from the london school - 8 and 10 february 2006 - christie's about us | privacy policy | contact us |

URL analysis for michaelclark.info

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Domain Name: MICHAELCLARK.INFO
Registry Domain ID: D15448147-LRMS
Registrar WHOIS Server:
Registrar URL: www.tucows.com
Updated Date: 2016-10-29T04:20:01Z
Creation Date: 2006-11-27T15:02:35Z
Registry Expiry Date: 2017-11-27T15:02:35Z
Registrar Registration Expiration Date:
Registrar: Tucows Domains Inc.
Registrar IANA ID: 69
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Reseller:
Domain Status: ok https://icann.org/epp#ok
Registry Registrant ID: C170930335-LRMS
Registrant Name: Michael Clark
Registrant Organization: Michael Clark
Registrant Street: The National Portrait Gallery
Registrant City: St Martins Place
Registrant State/Province: London
Registrant Postal Code: SE21 8BU
Registrant Country: GB
Registrant Phone: +44.2073060055
Registrant Phone Ext:
Registrant Fax:
Registrant Fax Ext:
Registrant Email: [email protected]
Registry Admin ID: C170930336-LRMS
Admin Name: Michael Clark
Admin Organization: Michael Clark
Admin Street: The National Portrait Gallery
Admin City: St Martins Place
Admin State/Province: London
Admin Postal Code: SE21 8BU
Admin Country: GB
Admin Phone: +44.2073060055
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Admin Fax:
Admin Fax Ext:
Admin Email: [email protected]
Registry Tech ID: C170930337-LRMS
Tech Name: The Hostmaster
Tech Organization: Claranet Group Ltd
Tech Street: Claranet Group Ltd
Tech Street: 21 Southampton Row
Tech City: Holborn
Tech State/Province: London
Tech Postal Code: WC1B 5HA
Tech Country: GB
Tech Phone: +44.8453552020
Tech Phone Ext:
Tech Fax: +44.8708878858
Tech Fax Ext:
Tech Email: [email protected]
Registry Billing ID: C170930338-LRMS
Billing Name: The Hostmaster
Billing Organization: Claranet Group Ltd
Billing Street: Claranet Group Ltd
Billing Street: 21 Southampton Row
Billing City: Holborn
Billing State/Province: London
Billing Postal Code: WC1B 5HA
Billing Country: GB
Billing Phone: +44.8453552020
Billing Phone Ext:
Billing Fax: +44.8708878858
Billing Fax Ext:
Billing Email: [email protected]
Name Server: NS2.CLARA.NET
Name Server: NS1.CLARA.NET
Name Server: NS0.CLARA.NET
DNSSEC: unsigned
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  REFERRER http://whois.afilias.info

  REGISTRAR Afilias Global Registry Services

SERVERS

  SERVER info.whois-servers.net

  ARGS michaelclark.info

  PORT 43

  TYPE domain

DOMAIN

  NAME michaelclark.info

  HANDLE D15448147-LRMS

  CREATED 2006-11-27

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS2.CLARA.NET 195.245.201.35

  NS1.CLARA.NET 195.8.69.36

  NS0.CLARA.NET 217.158.169.7

OWNER

  HANDLE C170930335-LRMS

  NAME Michael Clark

  ORGANIZATION Michael Clark

ADDRESS

STREET
The National Portrait Gallery

  CITY St Martins Place

  STATE London

  PCODE SE21 8BU

  COUNTRY GB

  PHONE +44.2073060055

  EMAIL [email protected]

ADMIN

  HANDLE C170930336-LRMS

  NAME Michael Clark

  ORGANIZATION Michael Clark

ADDRESS

STREET
The National Portrait Gallery

  CITY St Martins Place

  STATE London

  PCODE SE21 8BU

  COUNTRY GB

  PHONE +44.2073060055

  EMAIL [email protected]

TECH

  HANDLE C170930337-LRMS

  NAME The Hostmaster

  ORGANIZATION Claranet Group Ltd

ADDRESS

STREET
Claranet Group Ltd
21 Southampton Row

  CITY Holborn

  STATE London

  PCODE WC1B 5HA

  COUNTRY GB

  PHONE +44.8453552020

  EMAIL [email protected]

BILLING

  HANDLE C170930338-LRMS

  NAME The Hostmaster

  ORGANIZATION Claranet Group Ltd

ADDRESS

STREET
Claranet Group Ltd
21 Southampton Row

  CITY Holborn

  STATE London

  PCODE WC1B 5HA

  COUNTRY GB

  PHONE +44.8453552020

  FAX +44.8708878858

  EMAIL [email protected]

  REGISTERED yes

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